This is the twenty second painting of the series. The artist has painted an old Sikh man going through their religious book “Gond mahala 5” by Guru Govind Singh. This book of the Sikhs contains life and teachings of Shri Rama. The artist wants to convey that Shri Rama is everywhere; his presence is felt not only in one religion and one place but in all religions and all places. There are many reference of Ram in Mahalas said by gurus of Sikh religion. Guru Amar Das the third Nanak through Rag Suhi Mahala -3, Ghar -3, reflects that “Bhagat jana ki har jiu raki Jug jug rakhda aya Ram. So bhagat jo Gurmukh hovai Homain sabad jabya Ram” . In Majh Majala-5, page 104 there is a reference of ten incarnations which includes Ram and Krishna. According to the artist happiness lies in constantly thinking of him; other than that the entire world is Maya, a passing mirage. Same thought is reflected in Guru Tegh Bahadur’s Rag jai javanti, Mahala-9 page 1351. “Ram Simaran Ram Simaran ho terai kaaj hai. Maya ko Sung tiag prabh jooki saran laag” . The longing for him should be continuous process. A pair of dove is shown sitting near the Sikh man which reflects peace and tranquility of the place. “Chamadr” holy fan is also painted by the artist. “Chamadr” is an essential instrument for the Sikhs. The painting has a hue of purple. The old Sikh man is wearing a purple turban and a white churidar kurta which has a tint of purple. A kripan is hanging by his side. The holy book is kept in a small stool covered with a decorative yellow table cloth. Bright white sun rays are entering from small window like the blessings of Shri Rama. The artist has visualized a gyan yogi. A gyan yogi is a man who tries to understand God through the knowledge of reasoning. In this painting the Sikh is trying to understand the interconnection between Shri Rama and the universe. Though naturally it is difficult mentally and intellectually to have the true knowledge of supreme consciousness with creation, but his study and search is on.